Mushroom Kitchen Wall Art: Botanical Prints
Botanical Art Prints · For Your Room

Mushroom Kitchen Wall Art

Mushroom kitchen wall art drawn from the basket: chanterelle, fly agaric and porcini, on a warm wall.

Mushroom kitchen wall art is what a kitchen wears when the cooking matters. Ochre, russet and bone, set against the mustard or terracotta a warm kitchen already has. Chanterelle, fly agaric and porcini, all drawn straight from the basket.

I drew all three within a day of picking. A mushroom starts collapsing the moment it is off the ground, and you can see it in the cap: these are hours old, not days. They sit inside the wider botanical art prints range.

TL;DR

Three fungi drawn within a day of picking: chanterelle, fly agaric and porcini. They want a warm wall, mustard or terracotta, not white tile. From $27 / about €23.

Key Facts

The three platesChanterelle, Fly Agaric, Porcini
Wall colourMustard, terracotta or clay. White drains them
ArrangementA tight trio, equal height, centred as one block
Where to hangOutside the grease zone, about a metre (about 3 ft) from the hob
FramingGlazed near a kitchen, so the glass takes the grease
CollectionAlpine Forager holds all three
Three studies

The three from the basket

Chanterelle, fly agaric and porcini mushroom wall art by Fiurdelin, oak frames above walnut cabinets on an olive-green wall in a modern kitchen.See the collection ›
The three on an olive kitchen wall.

The chanterelle is the one that tells you the cook forages rather than shops. Its false gills run right down the stem, the detail worth keeping at eye level. The fly agaric brings the colour, and it is the only one nobody eats.

The porcini is the anchor. It is the fattest, quietest shape of the three, so it takes the middle and steadies the group. Hung at one height, the three read as a single block, not three separate prints.

Archival gicléeFrom $27 / about €23Up to 107 × 152 cm (about 42 × 60 in)Shipped worldwide
The look

The foraged-table look

The foraged-table look is a table an hour after someone comes in from the woods. A basket, a knife, dirt still on the stems. Fungi put that on a wall in a way a cut flower never can: a flower is decoration, a mushroom is dinner.

It explains the palette, too. Fungi are ochre, russet, bone and dead leaf, and those colours fall flat against white tile. They need a warm wall to sit against.

Chanterelle, fly agaric and porcini mushroom prints by Fiurdelin, oak frames resting on a wooden shelf against a mustard wall in a rustic kitchen.See the collection ›
The three on a shelf, an hour back from the wood.
Placement

Framing and placement in a kitchen

Everything within about a metre of a hob, about 3 ft, is a grease zone, and airborne grease does not come off unglazed paper. Frame these and glaze them. Hang above a shelf, along a run of drawers, or on the far wall.

GREASE ZONE keep art clear hang here, glazed about 1 m
Keep the trio about a metre (about 3 ft) from the hob, outside the grease zone, and glaze the frames.

Mushroom prints are not only for kitchens. The chanterelle sits perfectly well in a living room, and the forager palette scales up into a lodge or a bar. The kitchen is simply where the basket lands first.

Wall colour

Warm walls that suit fungi

Mustard, terracotta and clay all work, because they carry the same ochre that is already in the caps. A deep olive works too. White does not, and it is worth saying so plainly.

Against white tile the three go grey and start to look like a chart. If the kitchen is white and staying white, give them the one wall that is not tiled. Fungi need a ground to sit on, the same reason they hide in a wood and stand out on a table.

Chanterelle, fly agaric and porcini mushroom prints by Fiurdelin, framed in oak on a warm terracotta wall in a rustic farmhouse kitchen.See the collection ›
The trio on a terracotta wall, a warm ground that holds them.
From the studio

Drawing the chanterelle and the porcini

The chanterelle went from basket to desk in about an hour. The ridges under the cap soften fast, and once they soften you are drawing a memory of them. The colour is harder than it looks: it is not yellow, it is about four yellows.

The porcini was drawn cut in half. That is the only way to show the pore surface and the way the stem grain runs. A whole porcini seen from above is a brown circle.

Before you ask

Questions people ask

What art suits a rustic or foraging kitchen?

Fungi drawn from a real specimen, hung as a tight trio on a warm wall. Chanterelle, fly agaric and porcini give the foraged-table look because their palette is the palette of a wood floor.

Are mushroom prints only for kitchens?

No. The chanterelle works in a living room, and the whole forager palette scales up into a lodge, a study or a bar. A kitchen is simply where the basket lands first.

What wall colours suit mushroom art?

Mustard, terracotta, clay or deep olive. Each shares the ochre already in the caps. White tile drains the colour out and the plates begin to read as diagrams.

How do I arrange a mushroom trio?

Equal height, tight spacing, centred as one block rather than stepped. Put the chanterelle at eye level, since its false gills are the detail people come close to see.

How do I get these as prints?

Each study is printed and shipped worldwide from the botanical.art print shop. Paper starts at $27 / about €23 and framed prints at $91 / about €77, up to 107 by 152 cm (about 42 by 60 in).

Doing a whole room? See how the collection looks as a set.See the collection →
The collection

Everything off the wood floor

Chanterelle, fly agaric and porcini all sit in Alpine Forager, the collection drawn from the mountain floor, alongside the honey mushroom, the oak and the juniper.

Printing it yourself? The mushroom set is a digital download on Etsy.

Original botanical art by Fiurdelin · archival giclée from $27 / about €23 · framed from $91 / about €77 · shipped worldwide

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